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The premier cinematographer William Wages’ primary lens choice is the FUJINON 19-90mm Cabrio zoom lens.
The following video presents Cinematographer William Wages, ASC Talks Lens Choices from FUJINON Lenses on Vimeo.
“FUJINON sat down with ASC Career Achievement in Television Award recipient William Wages, ASC, to learn why the 19-90 Cabrio lens is his zoom of choice.“
FUJINON 19-90mm T2.9 Cabrio Specifications:
| Camera Format | PL Mount | |
|---|---|---|
| Focal length | 19 – 90 mm | |
| Zoom range | 4.7 × | |
| Maximum Photometric Aperture T-No. | 1 : 2.9 | |
| Iris Blades | 9 | |
| Focus Rotation (degrees) | 200 | |
| Zoom Rotation (degrees) | 120 | |
| M.O.D. from image plane | 0.85 m / 2′ 10″ | |
| Object dimensions at M.O.D. 16 : 9 Aspect ratio* |
19 mm 917 × 516 mm 90 mm 193 × 109 mm |
|
| Angular field of view 16 : 9 Aspect ratio* |
19 mm 71°41′ × 44°14′ 90 mm 17°20′ × 9°48′ |
|
| Macro | Available | |
| Filter thread | M111 (Protection Filter Included) | |
| Diameter × Length | 114 × 226 mm | |
| Weight | 2.85 kg (with Drive Unit) | |
| Features |
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Note: * Sensor size: 27.45 x 15.44 mm
PRESS RELEASE
CINEMATOGRAPHER WILLIAM WAGES, ASC, DISCUSSES LENS CHOICES IN THE MODERN DIGITAL CAMERA ERA
Ability to Change Focal Lengths without Switching Lenses, Optical Quality and Size Discussed as Top Advantages for Filmmakers
Valhalla, N.Y., August 15, 2018 – For William Wages, ASC, filmmaking is first and foremost about storytelling. His role, as a premier cinematographer, is to capture the best performances with the least intrusion. “It’s less about the technology, and more about the story,” he relates in the latest video by Fujifilm, “Conversation with William Wages, ASC.”
The winner of three ASC Awards, including ASC Career in Television honors in 2012, and two Emmy nominations, Wages is known for his sumptuous landscape and intimate photography in features such as Maya Angelou’s “Down in the Delta,” Roland Joffe’s “The Forgiven,” and Steven Spielberg’s TV mini-series “Into the West,” as well as his development of filmmaking tools that create more efficiency and transparency on set.
His primary lens choice is the FUJINON 19-90mm Cabrio zoom lens. Weighing only 5.6 lbs/2.54kg, Wages describes how he was first attracted to the lens’ size and weight and secondly, its optical quality calling it a “surprise.” Wages conducted a blind test between the 19-90mm and other lenses and said it “holds up against anything on the market.”
“The most important thing to me is for a lens to be completely transparent,” Wages explains, “meaning it doesn’t impart color. It doesn’t impart anything artificial. I want it to be as clean a palate as possible so that I can change those things with lighting, filtration or color.”
He notes the ability to change focal length without changing lenses as another point in the Cabrio’s favor: “Since the 19-90 came out and I’ve started using it, I’ve not used any other zoom. It’s changed the way I shoot because of the ease of operation, the ease of not having to change lenses all the time. I just reach down and change a focal length. That’s made things go a lot faster, not only in feature films, but also in commercials and in TV series.”
Not having to endure lens change breaks while filming “The Forgiven” was something the film’s stars told Wages they appreciated. “When the actors are doing an intense scene, being able to reach down and zoom in 5mm to reframe and do another take can keep them in the performance,” says Wages. “Therefore, when you cut it together, you see it. There’s no fluctuation from shot to shot or angle to angle, and that’s significant because ultimately, it’s about the actors. It’s about the story. That’s the reason I want to make movies. I want to tell stories, and this is a great lens for doing that.”
With subtitles available in Portuguese, Spanish and Chinese, the 3:10 version of Fujifilm’s “Conversation with William Wages” was created for not only cinematographers but producers and directors throughout the world:
About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of five operating divisions and one subsidiary company. The Imaging Division provides consumer and commercial photographic products and services, including: instant cameras and film, photographic paper; digital printing equipment, along with service and support; personalized photo products; film; and one-time-use cameras; and also markets motion picture archival film and on-set color management solutions to the motion picture, broadcast and production industries. The Electronic Imaging Division markets consumer digital cameras, and the Graphic Systems Division supplies products and services to the graphic printing industry, including offset plates and supplies, digital printing equipment and large format printers and ink. The Optical Devices Division provides optical lenses for the broadcast, cinematography, closed circuit television, videography and industrial markets, and also markets binoculars. The Industrial Division and Corporate New Business Development Division deliver products derived from Fujifilm core technologies. FUJIFILM Canada Inc. sells and markets a range of Fujifilm products and services. For more information, please visit www.fujifilmusa.com/northamerica, go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter, or go to www.facebook.com/FujifilmNorthAmerica to Like Fujifilm on Facebook. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.
FUJIFILM Holdings Corporation, Tokyo, Japan, brings innovative solutions to a broad range of global industries by leveraging its depth of knowledge and fundamental technologies derived from photographic film. Its proprietary core technologies contribute to the fields of healthcare, graphic systems, highly functional materials, optical devices, digital imaging and document products. These products and services are based on its extensive portfolio of chemical, mechanical, optical, electronic and imaging technologies. For the year ended March 31, 2018, the company had global revenues of $23.0 billion, at an exchange rate of 106 yen to the dollar. Fujifilm is committed to responsible environmental stewardship and good corporate citizenship. For more information, please visit: www.fujifilmholdings.com.
All product and company names herein may be trademarks of their registered owners.
The following video presents FUJINON ZK Cabrio Lenses Promotion Video / FUJIFILM:
“ZK Cabrio Lenses features a unique detachable servo drive unit. An exclusive detachable servo drive unit makes it suitable for use a standard cinema production style and broadcast operation style.
With FUJIFILM optical technology, ZK Cabrio lenses offers 4K outstanding optical performance.“
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